Mark Bradford: The Institutional Darling That’s Now an Allocation Decision
Between museum shows, Venice representation, and a steady secondary tape, Mark Bradford has moved from ‘up-and-comer’ to ‘portfolio line item.’
Amy Sherald: The Institutional Lock-In Has Not Yet Cracked Open
Sherald’s paintings move rarely — and when they do, they move well. That’s a feature, not a bug, and it changes the conversation about her ‘market.’