Q1 2026 Auction Recap: The Market Didn’t Break. It Just Got Pickier.
Three cities, four evening sales, one message. The lots that deserved to sell, sold. The rest were quietly withdrawn, bought-in, or sent to private.
Three cities, four evening sales, one message. The lots that deserved to sell, sold. The rest were quietly withdrawn, bought-in, or sent to private.
Price isn’t a number. It’s a tuple of estimate, guarantee, buyer’s premium, and market context. We unpack what you should see when you look at a sale card.
A granular look at Hockney’s secondary market: where the bid is, what’s drying up, and why his mid-1990s works are quietly the category to watch.
The red-chip cohort that defined 2021–2023 has entered the messy middle. Prices are normalizing, flippers are tapped out, and the real discovery starts now.
We pulled five years of evening sale results and museum acquisitions. The correction on women painters isn’t what the press releases tell you.
For years Cecily Brown was the artist serious collectors name-checked while her prices stayed suspiciously reasonable. That window has now closed.
It’s also slow, political, and increasingly contested. Here’s how to use one, how to read one, and what it actually guarantees.
The number of artists capable of producing a $100 million lot is stuck at roughly twenty. It’s getting harder to get on the list and easier to fall off.
Wool’s last great year at auction was a decade ago. We look at what’s actually trading, where the liquidity hides, and why word paintings sell better than the rest.
Switzerland looked like a museum. That’s a feature now, not a problem. We unpack the buyer mix, the slow-mover list, and what it signals for June.