George Condo: The Portrait That Refuses to Stop Selling
Condo’s market has the oddest quality of any living painter — it keeps working. We audit why, and what should give a disciplined buyer pause.
Amy Sherald: The Institutional Lock-In Has Not Yet Cracked Open
Sherald’s paintings move rarely — and when they do, they move well. That’s a feature, not a bug, and it changes the conversation about her ‘market.’
Rashid Johnson: The Multi-Medium Play Is Still Ahead
Johnson has built a career that resists a single auction narrative. That complexity is the opportunity — and the reason the risk isn’t priced in yet.
Njideka Akunyili Crosby: Scarcity Is the Entire Thesis
Very few of her paintings trade. Almost none return. That’s not a market malfunction — it’s the product working as designed. We audit what that means.
KAWS, Audited: The Downgrade Everyone Saw Coming
The KAWS market did what a brand-driven market does. It scaled, then it softened. We look at where the floor might actually be — and whether there is one.
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